The purpose of this essay is to study the role of web radio in Sweden. To fulfill the purpose we have done a case study of two Swedish radio stations: Sveriges Radio AB, which is a public service station, and a commercial station called Mix Megapol. By interviewing two persons from each station and analyzing the contents of their web sites, we have tried to see how the relationship between radio, Internet and web radio looks like. Thus, our method is qualitative. We have come to many conclusion of which some are: The new medium web radio borrows qualities from the traditional radio.

This essay aims to analyse the form of two radio documentary shows and compare them to, what I mean are a traditional, Swedish radio documentary form. The radio shows are Radiolab distributedby National Public Radio and WNYC, Övernaturligt (supernatural) produced by TredjeStatsmakten Media AB and P3 Dokumentär (P3 Documentary) distributed by Sveriges Radio. Alarge part of the essay is dedicated to develop a method to analyse form in specific radio shows. Mymethod consists of two parts:1. A defining of sounds in a spreadsheet that map out the different sound elements over time.2.

The purpose of this BA-thesis was to learn the differences in news broadcasts between one public service radio channel and two commercial radio channels. To do this we used a quantitative analysis method to examine the content of the news broadcasts and then we conducted in-depth interviews with several people working with the different radio channels using a qualitative research interview method to learn their views on news and news broadcasting.We measured the differences between the channels in six areas: subject, headline, news presentation, gender, advertising and sources.Our two main theories were normative theory and media logic.The results found that there were several major differences between the public service radio channel and the two commercial radio channels. Apart from several important differences in the six measured categories we also found that the sound and tone in the public service radio channel was very different from the two commercial radio channels.We also found the public service radio channels news broadcasts to be more serious than the two commercials ones?..

Ma?nga fo?retag i Sverige a?gs och kontrolleras av familjer. Familjer som a?gare skiljer sig fra?n andra a?gare och har ett mer la?ngsiktigt synsa?tt samt ett mindre risktagande. Syftet med arbetet a?r att underso?ka om och i sa? fall hur familjea?gda fo?retag skiljer sig mot icke familjea?gda fo?retag vad ga?ller internationaliseringsgrad och geografisk diversifiering.

Abstract saknas..

The development of the radio medium ? a case study of Sveriges radio is a scientific report of the case study that was made in the spring of 2014 on Sveriges Radio Västerbotten. The report investigates and analyzes how radio has been developed.The purpose of this study is to analyze the production flows of the radio and explore how it has been developed. The project?s objective is to raise the knowledge in media development, primarily radio?s development.The scientific theory is based on the concept of media convergence, in this chapter the reader will learn what media convergence means, but also how it works in the media world and the Public Service.

Pålagt skratt är något som har använts i hela tevens historia och används än idag. Från början fick man inspirationen från radions tidiga dagar då man ofta spelade in sina program eller shower framför en publik. Det pålagda skrattet har funnits i din teveapparat i nästan 70 år, men i din radio hör du det aldrig. Varför inte det? Mitt examensarbete syftar till att göra ett humorprogram i radio med pålagt skratt och undersöka vad folk tycker om detta grepp i radio.

There exist several known methods for calculation of radio coverage for ground-based systems. As far as we know there are no equivalent methods for the case of flying platforms when the altitudes and speeds are significantly different to those of ground-based systems. This thesis describes the theoretical concepts behind calculations of radio coverage for flying platforms. An investigation is made to sort out what is important and possible to employ in a model for simulations. A method is described and implemented in a program for evaluation of flying radio systems.

Visuell radio eller ljudbildspel i radio är i stort sett ett outforskat område. Att det går att göra visuell eller audiovisuell radio rent praktiskt och tekniskt står klart - publiceringsverktygen och tekniska lösningar finns. Det detta arbete problematiserar och diskuterar är hur visuell radio skulle kunna utformas och gestaltas både utifrån ett produktionsperspektiv och ett mottagarperspektiv. Detta sker genom att titta på mediaföretagens multimediala publiceringar men också genom att förstå hur deras redaktionerna tänker om hur ljud och bild kan samverka. Bland annat intervjuas personer som arbetar på New York Times, Svenska Dagbladet, DuckRabbit och MediaStorm för att få denna inblick.

TV and radio services have always been distributed over analogue broadcasting networks and been received on a TV -set or a radio receiver. Today this situation is changing due to digitalization and convergence between broadcasting, telecommunications and data communications. Other terminals, such as a PC, can also receive TV and radio services. Digital TV and radio can offer additional services such as e-commerce, electronic program guides and content synchronized to the TV and radio shows. If these services are to be received by several receiving terminals with different properties, the services must be adapted to the terminals.

Budgeten a?r ett vanligt fo?rekommande styrmedel i fo?retag idag, dock har dess roll och va?rde fa?tt skarp kritik fra?n flera ha?ll. Det finns mycket forskning kring fo?r- och nackdelar med budget och a?ven kring alternativa styrverktyg, men endast lite material kring vad budgetlo?sa fo?retag anva?nder i praktiken.  Syftet med uppsatsen har varit att beskriva och fo?rklara den budgetlo?sa styrningen, samt varfo?r fo?retag fra?nga?r den fasta a?rsbudgeten.

I april 2011 startade MTG den kommersiella pratradiokanalen Radio 1. I och med lanseringen introducerades ett nytt begrepp i det svenska medielandskapet: kommersiell a?siktsradio. Denna uppsats so?ker att besvara hur Radio 1:s utbud och inneha?ll ser ut, vilka som kommer till tals i Radio 1, vilka influenser man kan finna fra?n den amerikanska fo?rlagan samt vilken position Radio 1 har pa? den svenska radiomarknaden.

The overall goal of this diploma work is to produce a design of a 5 GHz radio frontend using Agilent Advanced Design System (ADS) and then build a working prototype. Using this prototype to determine if RF circuits at 5 GHz can be successfully produced using distributed components on a laminate substrate. The design process for the radio front-end consists of two stages. In the first stage the distributed components are designed and simulated, and in the second stage all components are merged into a PCB. This PCB is then manufactured and assembled.

The purpose of this study is to see how five different local radio stations, P4, within the public service organization Sveriges Radio communicate with their listeners through Facebook and how they differ from each other.We have also studied how the radio stations follow Sveriges Radios? policies for socialmedia usage and how the communication through Facebook can benefit thetraditional radio. Our study contains a combination of quantitative content analysis with qualitative interviews. We studied the five stations? Facebook pages from for the quantitative content analysis and interviewed those who were responsible for the social media pages, such as web editors and channel managers.Our conclusions are that the P4-stations communicate through Facebook to create a dialogue with the listeners and to reach two-way communication; the stations published mostly written updates that encouraged interactivity.

Many media buyers annually spend money on advertising which will not be of benefit to their own brand; the fact that consumers confuse from which brand they have heard or seen commercials, comes as news to nobody. The phenomenon of media confusion has however earned much less attention. As a greater part of the total marketing budget is being spent on the media investments, on behalf of the actual advertising production, the more interesting it turns out to maximize the effects of the media expenses. The search for optimization is somewhat practised today by brand managers who are daringly adding a few more media channels to support their TV-campaigns. Buying ad space in TV is nevertheless much more expensive than the radio equivalent.